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shapes and colors by zadmin — last modified 2004-09-29 10:06 AM

 

jamestittle by zadmin — last modified 2004-09-29 10:06 AM

 

iohannesgem by zadmin — last modified 2004-09-29 10:06 AM

 

zylinder by zadmin — last modified 2004-09-29 10:06 AM

 

rotation by zadmin — last modified 2004-09-29 10:06 AM

 

gem: lecture by IOhannes M Zmölnig by dagmar eberhardt — last modified 2004-09-29 04:00 PM

GEM's rendering engine: a mystery unrevealed Gem was the first extension to Miller Puckette's em pure-data that allowed graphics-processing within this environment. Because Gem's hierarchical approach differs significantly from pd's "native" linear signal-flow model, the underlying rendering engine has proven to be a bit complicated. What's more, this engine keeps changing, which makes it even harder to understand. This article aims to shed some light on what is the core part of more than a 100.000 lines of source-code.

gem-lecture by James Tittle by dagmar eberhardt — last modified 2004-09-29 04:10 PM

Talk/Presentation:Implementation of a shape synthesizer (inspired by Andrew Glassner) in pd/GEM/zexy/gridflow/whatever else...

ptl by dagmar eberhardt — last modified 2004-09-29 04:26 PM

the lecture showed a prebeta version and included the call for help

theoretics:hammer, meißel, pinsel, pd by dagmar eberhardt — last modified 2004-10-07 03:07 PM

in this theoretics panel, moderated by Harald Wiltsche, some first steps have been undertaken to close the gap between the pure technical side and an artistical attitude...how difficult this attempt was, till to the very last day, everybody could notice....

ad theoretical panel: moderated by h.wiltsche by zadmin — last modified 2004-09-29 09:47 AM

Hammer, Meißel, Pinsel, PD... last edited 1 week ago by wiltsche Hammer, Meißel, Pinsel, PD... Gerade das 20. Jahrhundert hat dem Kunsthandwerk - so scheint es zumindest - den Garaus gemacht. Readymade, Punk, Amateurismus und der Kollaps der ehernen Grenzen zwischen E und U haben eine Ausgangssituation generiert, die bestenfalls mit den Begriffen "polykontexturell" oder "pluralistisch" beschrieben werden können. Nun tritt gerade in den Bereichen der elektronischen bzw. digitalen Kunst zunehmend ein KünstlerInnentyp? auf, der/die zumindest teilweise als ProgrammiererIn? charakterisiert werden kann. Jeder, der jemals versucht hat, PD nur einen Ton zu entlocken, weiß, was gemeint ist. Ist hierin ein Rückgang zu sehen oder bloß eine Verschiebung der Perspektiven? Muss die/der digitale KünstlerIn? ProgrammiererIn? sein oder - provokant gefragt - "hält" sich in Zukunft die kunstschaffende Person technisch versierte Angestellte, ähnlich wie in mittelalterlichen Werkstätten? Und: Haben wir es mit einer Renaissance der Techné zu tun?

w.r. by zadmin — last modified 2004-09-30 11:55 AM

 

flo u.mathieu by zadmin — last modified 2004-09-30 11:55 AM

 

a.m. by zadmin — last modified 2004-09-30 11:55 AM

 

renatn by zadmin — last modified 2004-09-30 11:55 AM

 

here we are by zadmin — last modified 2004-09-30 11:55 AM

 

flo u.lu by zadmin — last modified 2004-09-30 11:55 AM

 

h.wiltsche by zadmin — last modified 2004-09-30 11:55 AM

all photos by uwe vollmann

arminmedosch by zadmin — last modified 2004-09-30 11:55 AM

 

h.w._2 by zadmin — last modified 2004-09-30 11:55 AM

by u.v.

working by zadmin — last modified 2004-09-30 11:55 AM